CV
EDUCATION
MFA Printmaking and Intermedia, University of Iowa, Iowa City, IA
SELECTED SOLO EXHIBITIONS
2023 Weaving in Flux, Hecho a Mano, Santa Fe, NM
2022 Pollinators in Nature, Denver Botanical Garden, Freyer-Newman Center, Denver, CO
2019 Moth Migration Project, Oak Hill Gallery, Mornington Australia
2019 Moth Migration Project, Bundaberg Regional Gallery, Bundaberg, Australia
2019 Moth Migration Project, Gympie Regional Gallery, Bundaberg, Australia
2018 Moth Migration Project, Sunbury Shores Art and Nature Centre, St. Andrews, New Brunswick, Canada
2017 Flutter, Public Art Project, Commissioned by BRIC Media for NYC DOT Street Seats, Brooklyn, NY
2016 Birding, Brooklyn Bridge Park Commission by Brooklyn Bridge Park and the City of New York, Brooklyn, NY
2016 My Own Private Wilderness, Resnick Gallery, Long Island University, Brooklyn, NY
2015 Lean to Me, My Own Wilderness Fantasy, Courthouse Gallery, Lake George, NY
2014 Nomadic Geographies, Wave Hill Public Garden and Cultural Center, Bronx, NY
2014 In the Spirit, The Gallery at Pioneer Bluffs, Matfield Green, KS
2011 Tracing Nature, Muriel Guépin Gallery, Brooklyn, NY
2009 Made in Tasmania, New Works Hilary Lorenz, Lawrence University, Appleton, WI
2009 New Works on Paper by Hilary Lorenz, Muriel Guépin Gallery, Brooklyn, NY
2008 The Essence of Nature: New Works on Paper by Hilary Lorenz, Pfizer, Inc., New York, NY
2007 Traces of Nature, The Safe-T-Gallery, Brooklyn, NY
2005 The Fragrance Grifters, The Safe-T-Gallery, Brooklyn, NY
2004 Hilary Lorenz Drawing, A Ramona Studio, New York, NY
2002 The Psychology of Light and Color, Sara Nightingale, Watermill, NY
Auspicious Magic Rocks, A Ramona Studio, New York, NY
2001 Cellular, A Ramona Studio, New York, NY
The Handbook of Phrenology, Book collaboration with Albert Mobilio, Center for Book Arts, NY
SELECTED GROUP EXHIBITIONS *denotes museums
2021 Communities West V Print Exhibition, Exit Gallery, Montana State University. Curator Sarah Budeski
2021 Barchette in Viaggio, Scuola Internazionale di Grafica, Venezia, Italia, Curator: Mary Sherwood Brock
2021 Paper Boats, Museum of Art, Fort Collins, CO, Curator: Mary Sherwood Brock
2021 Reflecting on 2020, University of Utah, Salt Lake City, UT
2020 ImMigration, Curated by Mary Sherwood Brock, L.A. Printmaking Society, Hand Graphics, Los Angeles, CA
2017 Call and Response, Curated by Gabriel de Guzman, Wave Hill Public Garden and Cultural Center, Bronx, NY
2017 Cross-Pollination, Commission from 516 Arts, Albuquerque, NM.
Curators: Aimee Gwynne Franklyn and Valerie Roybal
2016 *Communities West Print Exhibition, Waterworks Art Museum, Miles City, MT. Saltgrass Printmakers, Boise State University, Boise, ID.
Curators: Sukha Worob and Andrew Rice
2015 Communities West Print Exhibition, Robert and Gennie DeWeese Gallery, Bozeman, MT. Curator: Sukha Worob
2015 Vinyl, University of Tennessee, Knoxville, TN. Curator: Anita Jung
2014 Influencers, Printmaking Center of New Jersey, Branchburg, NJ. Curator: Sheila Goloborotko
2012 Group Exhibition, Corridor Gallery, Brooklyn, NY. Curator: Charlotte Mouquin
2010 Group Exhibition, Muriel Guépin Gallery, Brooklyn, NY
2009 Small Works, Muriel Guépin Gallery, Brooklyn, NY
2007 Salty: Tale of Three Sorrows, Collaboration with Edith Abeyta, El Camino College Gallery, CA
Traveling Print Exhibition, Millsaps College, Jackson, MS. Curator: Sandra Murchison
2006 Summer ‘06 New Prints, Lower East Side Printshop, New York, NY
2005 Motion, Santa Fe Art Institute, Santa Fe, NM. Curator: Eileen Torpey
Dialogue, Print Exhibition, Cité Internationale des Arts, Atelier Lacourière et Frélaut, Paris, France. Curator: Dominique Neyrod. Dialogue, Print Exhibition,
The Center for Book Arts, New York; Long Island University, Brooklyn; and Abrons Art Center, New York. Curator: Maddy Rosenberg
2004 *11th International Biennial Print and Drawing Exhibition, National Taiwan Museum of Fine Arts, Taichung, Taiwan
Drift, Red Hook, Brooklyn. Curator: Eileen Torpey
She Said, Susan Teller Gallery, NY. Curators: Barbara Madsen and Lynne Allen
2003 *Cock-tails, Kim Bach+Hilary Lorenz, James C. Hormel GLBT Center, San Francisco, CA. Curator: Jim Van Buskirk
Drift, River Run Farm, Bedminster, NJ. Curator: Eileen Torpey
2002 *Abstractions in Photography, Hunterdon Art Museum, Clinton, NJ. Curator: Donna Gustafson
Techno Texture, Vox Populi, Philadelphia, PA
Genome, City Without Walls, Newark, NJ. Curator: Michael Teters
2001 *Digital Art 2001, Art & Science Collaborations (ASCI), New York Hall of Science; and Silicon Graphics, Queens, NY. Curated by ASCI
Digital Art 2001 ASCI, Silicon Graphics Philadelphia, PA. Curated by ASCI
2000 *Digital Salon, School of Visual Arts, New York. Three-year traveling exhibition. Curator: Victor Acevedo
*Printed Identity, American Swedish Historical Museum, Philadelphia, PA. Curator: Margarita Talerman
Sci-Arts, Maryland Art Place, Baltimore, MA. Curator: Mina Cheon
Sci-Arts Satellite Exhibition, Park School, Baltimore, MD. Curator: Peter Grun
SELECTED RESIDENCIES, GRANTS AND FELLOWSHIPS
2024 Studio Works Alumni Residency, Weaving in Flux TIDES Institute Museum of Art, Eastport, Maine,
One-month residency, including public talks and demonstrations
2023 Studio Works Residency, Water Ways and Whirlpools, Factory on Willow, Manchester, NH
Three-month residency, including public talks
2020 Studio Works Residency, Water Ways and Whirlpools, TIDES Institute Museum of Art, Eastport, Maine,
One-month residency, including public talks and demonstrations
2019 Environment/Climate Change/Water Residency, Lower Manhattan Cultural Council Arts Center;
Governors Island, New York. Fourteen-month residency, including public talks and demonstrations in conjunction
with open studios.
2019 Artist in Residence, Bundaberg Regional Gallery, Bundaberg, Australia
Two-week residency with three community printmaking workshops and public lectures in conjunction with a solo exhibition.
2019 Artist in Residence, Gympie Regional Gallery, Gympie, Australia
Ten-day residency with two community workshops and an open discussion in conjunction with a solo exhibition
2018 Chilkoot Trail Artist Residency, Yukon Arts Center, Parks Canada, Whitehorse, Canada
with additional grants from; Klondike Gold Rush National Historical Park; Alaska Geographic, Skagway, AK;
Skagway Arts Center, AK; Skagway Traditional Council, AK. Three-week backpacking residence with two
schedule public interactions and six impromptu interactions of playing Chilkoot Bingo, my hand-printed social
practice bingo game, while hiking from Dyea Alaska to Bennett Lake, British Columbia.
2016 Peaked Hill Bars National Register Historic Distric of the Cape Cod National Seashore
C-Scape Dune Shack Artist Residency, Provincetown, MA (one month)
2016 Process Space, Governors Island, LMCC, Lower Manhattan Cultural Council, New York (five months)
2014 Outpost Studios Residency, Matfield Green, KS (two weeks-summer)
2011 Professional Development Grant, Art of Endurance, Cameroon, Africa; L.I.U., Brooklyn, NY
2008 International Nature and Culture Resident, Arts Tasmania, Tasmania, Australia (three months)
2007 Peaked Hill Bars National Register Historic District of the Cape Cod National Seashore
C-Scape Dune Shack Artist Residency, Provincetown, MA (six weeks - winter)
2006 Printmaking Keyholder Artist in Residence, Lower East Side Printshop, New York, NY (one year)
2000 Frans Masereel Printmaking Fellow, Frans Masereel Centrum voor Graphics, Kasterlee, Belgium, (one-month multiple years, 2003, 2004, 2006)
2005 Artist in Residence, Santa Fe Art Institute, Santa Fe, NM (five weeks)
2001 Fulbright Fellowship, Printmaking, Taipei, Taiwan R.O.C. (ten months)
2000 Artist in Residence, Miskolc Museum of Contemporary Art, Miskolc, Hungary (one month)
CURATORIAL AND SPECIAL PROJECTS
2021 NY Public Art Commission, New York City Department of Cultural Affairs, Percent for the Arts, New York City
School Construction Authority (SCA) and Public Art for Public Schools.
2018 Curator with LIU Student Collaboration - Dissent-Explorations of the Subconscious
Andrea Burgay, Kendrick Mar, and Jessica Nissen, Resnick Gallery, Long Island University, Brooklyn, NY
2017 Curator with LIU Student Collaboration - Belonging, Rene Lynch Kira Nam Greene, and Julie Tesser
Resnick Gallery, Long Island University, Brooklyn, NY
2014 Curator with LIU Student Collaboration - Ism's-Tenjin Ikeda, Jenny Krasner, Traci Molloy,
Resnick Gallery, Long Island University, Brooklyn, NY
2013 Curator, Enid Crow, Mike Estabrook, Tamara Thomsen, Resnick Gallery, Long Island University, Brooklyn, NY
2012 Founder and Director, StoneTrigger Press for Printmaking Research, Abiquiu, NM
2011 Runner/Performer, 54th Venice Biennale, American Pavilion, Artists Allora and Calzadilla
2009 Co-Curator, US/Tasmania Print Portfolio Exchange, various locations on request
2009 Chair, Visual Arts Regrant Panel, NYSCA, Brooklyn Arts Council, Brooklyn, NY
2008 Panelist, Keyholders Residency, Lower East Side Printshop, New York, NY
2006-7 Panelist, Visual Arts Regrants, NYSCA, Brooklyn Arts Council, Brooklyn, NY
2006 Panel Talk, A.T.O.A. “How has the Digital Revolution altered the domains of printmaking photography.”
Organized by Cynthia J. Pannucci, School of Visual Arts, NY
2004 Curator, SUBjected, Safe-T-Gallery, Brooklyn, NY
2004 Curator, The Hybrid Print, Long Island University, Brooklyn, NY
2003 Juror, 2003 International Printmaking Biennial, A Ramona Studio, New York
BIBLIOGRAPHY
Ekart, Robert. "Abiquiu Artist Hilary Lorenz's Moth Migration Project: Part of Cross-Pollination at 516 Arts." Rio Grande Sun, October 12, 2017.
Wikswo, Quintan Ana. “The Moth Migration Project: An Interview with Hilary Lorenz.” Some Serious Business/Susan Martin, August 9, 2017. http://someseriousbusiness.org/2017/08/09/the-moth-migration-project-an-interview-with-hilary-lorenz-by-quintan-ana-wikswo/
Grimason, Maggie. “Fly by Night: The ‘Moth Migration Project’ Lands in Downtown Albuquerque,” September 6, 2017. http://alibi.com/art/54015/Fly-By-Night.html/
Dunn, Carey. “First Faculty Lockout in US College History Bars Art Profs from Classes and Studios.” September 14, 2016.
http://hyperallergic.com/322827/first-faculty-lockout-in-us-college-history-bars-art-profs-from-classes-and-studios/
Metzger, Amanda May. “Bringing Wilderness and Dreams to a White Room.” The (Glens Falls) Post-Star, December 8, 2015.
Haber's Art Review. “Recapturing the Scenic Wilds: Hilary Lorenz, David McQueen, Tom Pnini and John Newsom.” (November 2014).
Wands, Bruce, ed. 2006 Art of the Digital Age. New York: Thames and Hudson.
Rosenberg, Maddy, and Neyrod, Dominique, eds. Dialogue. New York/Paris.
Dischoff, Dan. “Photographers Use Cameras to Create Impressionist Art.” The (New Jersey) Star-Ledger, December 1, 2003.
“Two New Exhibitions Open at Hunterdon.” Today in Hunterdon (New Jersey), November 21-27, 2003.
Phillips, Jen. “Smart Art.” Girlfriends magazine (March 2003).
Reena, Jana. “A New Biennial for Printmakers Hosted in New York.” Art on Paper, 7 no. 5 (March 2003): 22.
“The Handbook of Phrenology: Hilary Lorenz and Albert Mobilio.” The Art Collectors Resource Catalogue 2 (2003): 44.
“Artist Working with Gender.” Art & Collection 155 no. 105 [in Mandarin] (June 2001): 24.
Ivey, Bill, with introduction by Jennifer Dowley and Nancy Princenthal. 2001. A Creative Legacy: A History of the National Endowments for the Arts Visual Artists Fellowship Program. New York: Harry N. Abrams.
Leonardo, in conjunction with SVA Exhibition. November 2001. Cambridge: MIT Press.
Henry, Gerrit. “Exhibition Review.” Art in America (June 1999): 122.
“International Print Triennial in Kanagawa Japan.” (1998): 123
Ise, Claudine Ise. “Bioethics: Thresholds of Corporal Completeness.” Los Angeles Times, December 11, 1998.
Hirsch, Fay. “Working Proof.” Art on Paper 3 no. 2 (November/December 1998): 53.
Dickerson Campbell, Deborah. “The Third is a Crowd.” (Kansas City) Pitch, January 11, 1998.
Kirch, Elizabeth. “Woodcuts Have a Life of Their Own.” Kansas City Star, January 23, 1999.
Plett, Nicole. “Art and Science: Hunches, Insight and Creativity.” (Princeton, N.J.) U.S.1, January 29, 1997.
“Survey of Nation Relief Prints.” CD-ROM Catalogue Essay, Wright State College, Ohio. 1997.
Raynor, Vivien. “A Print Show by 12 Workshop Members.” New York Times, April 7, 1996.
NEA/MAAF Regional Fellowship Awards. 1996. Mid Atlantic Arts.
Wilde, Betty. The Power of Prints exhibition catalog. March 6-May 7, 1995: 11, 19, 22.
Zimmer, William. “Showcase for Printmaking at New Hostos Gallery.” New York Times, April 2, 1995.
Sozanski, Edward J. “Shades of the Spirit.” Philadelphia Inquirer, 2/2/95
Bodek, Renate. Catalogue of Emerging Artists. 1994. Galerie Bodek, Hannover, Germany.
PUBLIC COLLECTIONS
CU Boulder permanent print collection – Boulder, CO
Nelson/Dunks Collection – Bozeman, MT
Boise State University print collection – Boise, ID
Tasmanian National Archive – Tasmania, Australia
Lawrence University – Appleton, WI
Pfizer Corporation – New York, NY
Library of Congress – Washington, D.C.
San Francisco Public Library – San Francisco, CA
National Taiwan Museum of Fine Arts – Taichung, Taiwan, R.O.C
National Institute of the Arts Museum – Taipei, Taiwan, R.O.C
Miskolc Museum of Contemporary Art – Miskolc, Hungary
Royal Museum of Fine Arts – Antwerp, Belgium
Frans Masereel Centrum and Museum – Kasterlee, Belgium
Long Island University Library – Brooklyn NY
Lower East Side Printshop – New York, NY
Center for Book Arts – New York, NY
Hostos Center for the Arts & Culture – Bronx, NY
Bronx Museum of Art – Bronx, New York
The Elizabeth Foundation for the Arts/Printmaking Workshop Foundation – New York, NY
Manhattan Graphics Center – New York, NY
University of Iowa School of Art and Art History – Iowa City, IA
University of Illinois – Chicago, IL
PROFESSIONAL SOCIETY MEMBERSHIPS
The College Art Association
Southern Graphics International
Association of American Museums
Fulbright Alumni Association