EDUCATION
1991-93  MFA Printmaking and Multi-Media, University of Iowa, Iowa City, Iowa
1990-1991 MA  Printmaking and Painting, University of Iowa, Iowa City, Iowa
1989-1990  Printmaking, University of Illinois at Chicago, Chicago, Illinois
1983-1987 Bachelors of Science, Painting, Western Michigan University, Kalamazoo, Michigan

SELECTED SOLO EXHIBITIONS *denotes museums
2011    upcoming: Solo Exhibition, Muriel Guepin Gallery, Brooklyn, NY
2009    Made in Tasmania, New Works Hilary Lorenz, Lawrence University, Appleton, WI
2009    New Works on Paper by Hilary Lorenz, Shopart Gallery, Brooklyn, NY
2008    The Essence of Nature; New Works on Paper by Hilary Lorenz, Pfizer, Inc., NY
2007    Traces of Nature, The Safe T Gallery, Brooklyn, NY
2005    The Fragrance Grifters, The Safe T Gallery, Brooklyn, NY
2004    Hilary Lorenz Drawing, ARAMONA Gallery, New York, NY
2002    The Psychology of Light and Color, Sara Nightingale, Watermill, NY
Auspicious Magic Rocks, ARAMONA Gallery, New York, NY
2001    Cellular, RAMONA Gallery, New York, NY
The Handbook of Phrenology, Collaboration with Albert Mobilio, Center for Book Arts, NY
1999    Print, Lower East Side Printshop, New York, NY Director: Dusica Kirjakovic
1998    Scientific Reasons, Painting from the Ox-Bow Series, A.I.R. Gallery, New York, NY
*Mould of Time, National Institute of the Arts, Taipei, Taiwan Curator: Dawn Chen Ping
Recent Work, McHenry County College, Crystal Lake Illinois Curator: Sandra Lange
New Works, 1708 Gallery, Richmond, Virginia Director: Amy Oliver
Works on Paper, Fireland Association for the Visual Arts, Oberlin, Curator: P.King-Gordon
1997    New Works , Kansas City Artist Coalition, Kansas City, Missouri Director: Janet Simpson
Large Scale Works, Barrett House Galleries, New York Director: Ursula Nelson
Paintings Carnegie Arts Center, Leavenworth, Kansas Director: Patricia Hammond

SELECTED GROUP EXHIBITONS*denotes museums
2009   
Small Works, Muriel Guepin Gallery, Brooklyn, NY
2007
Salty: Tale of Three Sorrows, Collaboration w/Edith Abeyta, El Camino College Art Gallery,
Traveling Print Exhibition, Millsap College,  Jackson, MS, Curator: Sandra Murchison
2006   
Summer ‘06 New Prints, Lower East Side Printshop, New York, NY
2005   
Motion, Santa Fe Art Institute, Santa Fe, NM Curator: Eileen Torpey
Paris, Dialogue, New York, Print Exhibition, Cite Internationale de Arts, Atelier Lacouriere-Frelaut, Parsons, Paris France, Curator: Dominique Neyrod New York, Dialogue, Paris, Print Exhibition, Center for Book Arts, New York, Long Island University, Brooklyn, and Abrams Art Center, Curator: Maddy Rosenberg
2004   
*11th International Biennial Print and Drawing Exhibition, Taiwan Museum of Art, Taichung, Taiwan
Drift, Curator: Eileen Torpey, Red Hook, Brooklyn
She Said, Susan Teller Gallery, New York, Curator: Barbara Madsen and Lynne Allen
2003  
*Cock-tails, Kim Bach + Hilary Lorenz, James C. Hormel GLBT Center, San Francisco, CA Curator: Jim Van Buskirk
Drift, River Run Farm, Bedminster, NJ Curator: Eileen Torpey Rutgers University
2002   
*Abstractions in Photography, Hunterdon Museum of Art, Clinton, NJ Curator: Donna Gustafson
Shampoo, ARAMONA Gallery, New York, NY Curator: Margaret Thatcher Projects
Techno Texture,Vox Populi, Philadelphia, PA
Genome, City without Walls, Newark, NJ Curator Michael Teters
2001   
*Digital Art 2001,ASCI, New York Hall of Science and Silicon Graphics, Queens, NY
Curated by ASCI
Digital Art 2001,ASCI, Silicon Graphics Philadelphia, PA Curated by ASCI
2000   
*Digital Salon, School of Visual Art, New York, NY, 3-year traveling exhibition,
Curator: Victor Acevedo
*Printed Identity, American Swedish Historical Museum, Philadelphia, PA Curator: Margarita Talerman
Sci-Arts, Maryland Art Place, Baltimore, MA Curator: Mina Cheon
Sci-Arts Satellite Exhibition, Park School, Baltimore, MD Curator: Peter Grun
1999   
BODYTECH, Duncan and Miller Gallery, Washington, D.C. Curator: Claire Huschle
Summer Exhibition, Central Fine Arts, New York, NY Director: Zhang Zhang
*Historic and Contemporary Prints, Johns Hopkins University/Baltimore Museum of Art, Baltimore, MD Curator: Cindy Kelly
Director’s Choice, Bronx River Art Center, Bronx, NY Curator: Betty Wilde
1998   
Bioethics, Side Street Project, Santa Monica, CA Curator: Deborah Edwards,
Armand Hammer Museum
Printworks, University of Connecticut, Storrs, CT Curator: Laurie Sloan
New Publications, Goya Girl Press, Baltimore, MD Director: Martha Macks
*International Print Triennial, Kanagawa, Japan, Kanagawa Art Foundation, Yokohama, Japan
Printline, Cinema REX, Belgrade, Yugoslavia Curator: Dusica Kirjakovic
1997
*8th International Biennial Print and Drawing Exhibit, Taipei Fine Art Museum, Taipei Taiwan
Print Go Public, Bronx Printmakers, Hostos College, Bronx, NY Curator: Betty Wilde
Art and Science, Mariboe Gallery, Hightown, NJ Curator: Cathy Watkins
Implications of Reason, Seton Hall University, Newark, NJ Curator: Steven Sennott
The Democratic Print, Wright State College, Dayton, OH Curators: Kim Vito & Craig Martin
1996   
The Power of Prints: New Formats, Hostos College, Bronx, NY Curator: Betty Wilde
Women Painters, Abrazo Interno Gallery, New York, NY Curator: Stephanie Sarti
1995   
Printwork 95, Barrett House Galleries, Poughkeepsie, NY Juror: Andrea Feldman
Power of Prints, Hostos College, Bronx, NY Curator: Betty Wilde
Shades of the Spirit, The Painted Bride Art Center, Philadelphia, PA Curator: A.M.Weaver
1994   
Emerging Artist, Galerie Bodek, Hannover, Germany, Director: Renate Bodek
Women’s Caucus for the Arts, Allentown, PA Curator: Ofelia Garcia
Annual Juried Exhibition, ARC Gallery, Chicago, IL Juror: David Jones
*Allentown Museum of Art annual Exhibition, Allentown, PA Juror: Charlotte Kotik
Stonemetal Press, Hand-Pulled Prints II, San Antonio, TX Juror: Charles Heasly
*Haggin Museum Arts Commission, Stocken, CA Juror: Rupert Garcia
1993   
Gallery 84, New York, NY Juror: Donald Kuspit
Iowa Print Group, Osnabruck, Germany; Venice, Italy; London, England Curator: Keith Achepohl

GRANTS AND FELLOWSHIPS
2008    International Nature and Culture Resident, ARTSTasmania, Tasmania, Australia
2007-08 National Seashore C-Scape Residency for Art, Cape Cod, MA
2006-07 Printmaking Artist in Residence, Lower East Side Printshop, New York, NY
2000-3-4-6 Frans Masereel Printmaking Fellow, Frans Masereel Centrum voor Graphics, Kasterlee, Belgium
2005    Santa Fe Art Institute Artist in Residence, Santa Fe, NM
2001    Fulbright Senior Fellow, Printmaking, Taipei, Taiwan R.O.C
2000    Miskolci Museum of Contemporary Artist in Residence, Miskolci, Hungary
1998    Artist in Residence, School of the Art Institute of Chicago, Ox-Bow, Saugatuck, MI
1997    Special Editions Fellowship, Lower East Side Printshop, New York, NY
1996    NEA/Mid Atlantic Individual Artist Fellowship – Works on Paper, Baltimore, MD
1995    Helen Stiles Scholarship, Manhattan Graphics, New York, NY
1993-95 Studio Scholarship, Bob Blackburn Printmaking Workshop, New York, NY
1992    Book Arts Grant, University of Iowa Cultural Center, Iowa City, Iowa

CURATORIAL AND SPECIAL PROJECTS
2009    Co-Curator, US/Tasmania Print Portfolio Exchange, various locations on request.
2009    Chair, Visual Arts ReGrant Panel, NYSCA, Brooklyn Arts Council, Brooklyn, NY
2008    Panelist, Keyholders Residency, Lower East Side Printshop, New York, NY
2006-08 Panelist, Visual Arts ReGrants, NYSCA, Brooklyn Arts Council, Brooklyn, NY
2006    Panel Talk, A.T.O.A. “How has the Digital Revolution altered the domains of printmaking and photography” Organized by Cynthia J. Pannucci, School of Visual Arts, NYC
2004    Curator, “SUBjected” SafeTGallery Brooklyn, NY
2004    Curator, “The Hybrid Print” Long Island University Brooklyn, NY
2004    Set Design, “The Carnal Carnival” WOW Theater, New York
2003    Digital Costume Design, Merce Cunningham Dance Company, “Split Sides”
2003    Juror, 2003 International Printmaking Biennial, A Ramona Studio, New York
2003    Juror, Rutgers University Mason Gross School of Art BFA Exhibition, NJ
2001    International Public Relations/ Catalog Editor, Institute of Contemporary Art, Taipei, Taiwan
1998-2001 Co-Founder, Dolphin Press, Maryland Institute, College of Art, Baltimore, MD

TEACHING AND PROFESSIONAL EXPERIENCE
Present Position: Chair and Associate Professor of Visual Arts, Long Island University

2002-present   Associate Professor of Visual Arts and Media Arts, Tenured: 2006
Long Island University, Brooklyn, NY. Teach all levels of two-dimensional media including drawing; printmaking; intaglio, lithography, silkscreen, and digital printmaking; two dimensional design; photography;  digital and analog to art majors and non-majors. Teach computer graphics, digital design, bookbinding and professional development. Participate on a variety of committees and serve intermittently as interim Chair.

2005 Professor, Parson School of Art and Design, New York.
Teaching four-week intensive summer professional development courses of drawing and painting.  
                                       
2000-02   Assistant Professor of Art and Director of Foundation Art, Long Island University C.W. Post Campus, NY. Administrative Director of Foundation Art Program in charge of hiring, and supervising 15 faculty for a department of 80 art majors. Program includes drawing, two-dimensional design, sculpture, printmaking and photography. Job included writing curricula guidelines and policy for all areas, plus teaching and advising each student in the program.

1998 & 01 Visiting Faculty/Artist in Residence, National Institute of the Arts, Taipei Taiwan, R.O.C.
Invited for solo exhibition in conjunction with lecture and individual critiques of undergraduate students.Taught semester of printmaking to undergraduate students while on Fulbright Fellowship. Organized by Associate Professor Chenping Dawn.

1997-01 Professor, Maryland Institute, College of Art, Baltimore, MD.
Full-time printmaking and foundation faculty, teaching book binding, letterpress printing, intaglio and relief. Taught one-year long drawing curriculum in foundation program. Individually mentor with graduate students.  Co-founded and Directed student interns for Dolphin Press an art print and poetry publishing arm of the printmaking department.

1996-97 Assistant Professor, New York State College of Ceramics at Alfred University, NY
One year sabbatical replacement to teach full time, two printmaking classes and one foundation drawing class.

INVITED GUEST ARTIST AND WORKSHOPS
All lectures and workshops were given on my work and lasted between one day and three weeks.

2009    Visiting Artist, Lawrence University, Appleton, Wisconsin, 4-day visit
Solo exhibition in conjunction with lecture and individual critiques of undergraduate students. Organized by Associate Professor Ben Rinehart

2008 & 09 Visiting Artist, School of Visual Art, Graduate Department of Visual Arts, New York. 1-day visit Individual lecture of my current projects plus professional development seminars for graduate students on artist opportunities. Organized by Associate Professor Mary Jo Vath.

2008    Visiting Artist, University of Tasmania School of Art, Tasmania, Australia. 3 week visit
In conjunction with an ARTTasmania Nature and Culture grant, A three week residency in the printmaking department at the University of Tasmania completing a hand printed editioned book and providing individual critiques to graduate students. Organized by the Department of Cultural Affairs, Tasmania

2003    Visiting Artist, McMaster’s University, Dep. of Media Arts, Hamilton, Ontario, Canada, 3-day visit Individual lecture of my current projects to art and design students. Organized by Professor Liss Platt.

1997    Visiting Artist, University of Connecticut, Storrs, Connecticut, 3-day visit
Group exhibition in conjunction with lecture and individual critiques of undergraduate students. Organized by Associate Professor Laurie Sloan.

BIBLIOGRAPHY
Bruce Wand, ed., Art of the Digital Age, Thames and Hudson, 2006.
Rosenberg, Maddy, and Neyrod, Dominique, Eds. New York /Paris, Dialogue, Paris/New York,
Dan Dischoff, “Photographers use cameras to create impressionist Art.” NJ Star-Leger, Dec 1, 2003
“Two New Exhibitions Open at Hunterdon.” Today in Hunterdon, NJ Nov 21-Nov 27, 2003
Jen Phillips,” Smart Art.” Girlfriends Magazine March 2003
Renna Jana, Art on Paper “A New Biennial for Printmakers Hosted in New York.” March 2003, Vol. 7, No5. pp22
“The Handbook of Phrenology/Hilary Lorenz and Albert Mobilio.” The Art Collectors Resource Catalogue2, 2003, pp44
“Artist working with Gender.” Art& Collection, (In Mandarin) June 2001, No. 105 pp24
Gwen Diehl, Simple Printmaking, Lark Books, 2000 pp 122
Bill Ivey with Introduction by Jennifer Dowley and Nancy Princethal, A Creative Legacy: A History of the National Endowments for the Arts Visual Artists Fellowship Program, Harry N Abrams, ISBN 081094170
Leonardo, in conjunction with SVA Exhibition, M.I.T Press, November 2001
Introductions to the Practice of Statistics, 3rd Edition, W.H. Freeman and Co. 1999, pp433 799
Gerrit Henry, “Exhibition Review.”, Art in America June 1999pp122
International Print Triennial in Kanagawa Japan, 1998pp.123
Claudine Ise, “Bioethics: Thresholds of Corporal Completeness.” L.A. Times, 12/11/98
Faye Hirsh, “Working Proof.” Art on Paper, Nov./Dec 1998 Vol 3 No 2. pp53
Deborah Dickerson Campbell,” The Third is a Crowd.” Pitch Weekly, Kansas City 1/11/98
Elizabeth Kirch, “Woodcuts Have a Life of Their Own.” Kansas City Star, 1/23/9
Exhibition Catalogue, Mould of Time, National Institute of Art,Taipei, Taiwan 1997. pp121-125
Nicole Plett, “Art and Science, Hunches, Insight and Creativity.” U.S.1: Princeton NJ 1/29/97
“Survey of Nation Relief Prints.” CD-ROM Catalogue Essay, Wright State College, Ohio 1997
Vivien Raynor, “A Print Show by 12 Workshop Members.” New York Times, 4/7/96
NEA/MAAF Regional Fellowship Awards, Mid Atlantic Arts: 1996, 1996
Betty Wilde, The Power of Prints, Exhibition Catalog, March 6-may 7, 1995 pps. 11, 19, 22.
William Zimmer,” Showcase for Printmaking at New Hostos Gallery.” New York Times, 4/2/95
Edward J. Sozanski, “Shades of the Spirit.” Philadelphia Inquirer, 2/2/95
Renate Bodek, Catalogue of Emerging Artists, Galerie Bodek, Hannover, Germany 1994
“Good Enough Artists-excerpts.” Donald Kuspit, Gallery 84, New York 1993

COLLECTIONS
Pfizer Corporation,  New York, NY
Library of Congress, Washington D.C.
San Francisco Public Library, San Francisco, CA
National Taiwan Museum of Art,Taichung,Taiwan, R.O.C
National Institute of the Arts Museum, Taipei,Taiwan, R.O.C
Miskolci Museum of Contemporary Art, Miskolci, Hungary
Royal Museum of Fine Arts, Antwerp, Belgium
Frans Masereel Centrum and Museum, Kasterlee, Belgium
Long Island University Library, Brooklyn NY
Lower East Side Printshop, New York, NY
Center for Book Arts, New York, NY
Hostos Center for Art and Culture, Bronx, NY
Bronx Museum of Art, Bronx, New York
Elizabeth Foundation/Printmaking Workshop Foundation, New York, NY
Manhattan Graphics Center, New York, NY
University of Iowa School of Art and Art History, Iowa City, IA
University of Illinois, Chicago, Illinois

PROFESSIONAL MEMBERSHIPS
College Art Association
Association of American Museums
Fulbright Association